ARTIST
STATEMENT

 
 

In the opening chapters and final passages of life, our bodies transform viscerally and dramatically. The bloom of life—growth—is a constant miracle of early existence, obvious in every measure from infancy to early adulthood. Likewise, the transition from middle age to old age hits hard. It’s evident in skin and muscle, a change as conspicuous as summer passing into a reddened fall. 

There’s also a sweet spot in our lives, where the contrasts in physical appearance are slight for many, though the shift toward self-actualization is anything but. Subtle changes in our physicality belie the churning transformation within.

From about our late twenties to our late thirties, we experience a sort of primetime when we figure out who we are and what we want. We experience yearnings to do something, to build something, to create a family or career or both, to elevate our standard of living, to contribute, to find purpose or a path that makes sense to us, to find meaning. We long for authentic intimacy, relationships that have promise, and generative activity. We are simultaneously enterprising and contemplative. We are busy, but learning to shed self-absorption, often with children gracing our lives. Depression and optimism have their turns with us. We become more honest with ourselves. These years are a piece of our lifespan that feel like the substance of the plot in our personal stories, that stretch from conflict to climax. 

Engaging with this time of great internal change, at 28 years old, I photographed 28 of my 28-year-old friends. At 29, 29 29-year-old friends. At 30, 30, and so on, through this fall, all of us now at age 39. Many from the original cohort persisted each year. Several new individuals necessarily came on board with the increasing years to maintain the pattern. Some friends fell away. When I started the project, I sensed a turning point in my own life—maybe the force and balance of my life’s fulcrum. 

Nicholas Nixon’s The Brown Sisters and the BBC's Up series served as inspiration to me, but this project is different in that it targets a specific slice of lifespan when we experience physical equilibrium and drastic internal growth at the same time. The moments and environments within each photograph intentionally mark the personal journey of each subject. The collection of 402 photographs and their presentation via this site are intended to document these dichotomous prime years of life, this community’s evolution amid societal shifts, and the intimate, assembled personal narratives of those not quite Gen X and not quite Millennial. It’s the decade of wondrous duality: our faces almost ageless, our internal narratives transformed.

ABOUT
SAM

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“Comen is best known for his environmental portrait essays that feature evocative California locales. As a documentary photographer, he has long focused on themes of American identity, community-building, immigration, democracy, and social justice.

Taína Caragol, National Portrait Gallery, Curator of Painting and Sculpture and Latino Art and History

Self-portrait at age 28

Self-portrait at age 28

 
Age 29

Age 29

 
 

Sam specializes in shooting environmental portraits of everyday heroes as well as leaders, actors, musicians, and artists for national publications.

 
 
Age 30

Age 30

Age 31

Age 31

Age 32

Age 32

 
 

Most recently, the portrait "Jesus Sera, Dishwasher” from Comen’s series Working America was awarded Second Prize in the Smithsonian National Portrait Gallery’s triennial portrait exhibition The Outwin 2019: American Portraiture Today (on view 2019-2021.) It’s Sam’s second time showing at the Portrait Gallery – his first appearance was the 2017-2018 exhibition The Sweat of Their Face: Portraying American Workers.

Age 33

Age 33

 
 

His photographs have been collected by the Los Angeles County Museum of Art (LACMA) and private collectors, and he is regularly commissioned by brands and magazines internationally.

 
Age 34

Age 34

 
Age 35

Age 35

 
Age 36

Age 36

As a native Californian (and Angeleno), Sam has used his home state as a muse throughout his career, and often looks to the places that define us for inspiration. He’s most notably brought this site-specific approach to his series Lost Hills, which captures contemporary issues of immigration and labor in a small farmworker town in California’s Central Valley, while contextualizing people and place within the shared American narrative of the “Okies” flight to the same dusty plains 80 years ago. The Library of Congress acquired the complete Lost Hills portfolio in 2019.

 
Age 37

Age 37

 
 

In addition to Lost Hills, Comen has produced photographic essays in Los Angeles’ historically-significant neighborhood of Watts; along Central Avenue, the core of South-Central Los Angeles; and within a Los Angeles-based activist network of young undocumented immigrants, or DREAMers.

Age 38

Age 38

 

His collaboration portraying newly naturalized US citizens The Newest Americans was staged as an exhibition at The California Museum, and is currently touring the country through 2022.

 
 
 
Age 39

Age 39

 
 
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